The morning of the race, our entire family (eight total) loaded up the minivan and drove to Loudon, Tennessee.
Over the next few posts, I'll be sharing about my own recent running experiences with some reflections.
Growing up in a Baptist church, I didn’t hear much about mystery. Sermons were deep, but also highly logical, focusing often on analyzing a short text, which was great, and I learned a lot, but each tradition in Christ’s Body has its own set of strengths and weaknesses, hence our need for each other. Some traditions probably focus too much on mystery or use it as an excuse to not think, while others, like the one in which I grew up, tend to be safely cerebral, to the unintentional exclusion of mystery.
Fruitless. Late at night, the word attacks my mind and heart. Worse than failure, this word pierces my feminine soul. Worse than the proverbial feeling of insignificance in relationships or at work, I’m approaching thirty with no children.
Below I've shared some quotes by Josef Pieper ...
Regret can stem from a couple of sources: you can say or do or believe something wrong or stupid, someone else can say or do something wrong or stupid, or it can be a bit of both.
Often, those things we love most, have to be destroyed.
As with auditions for a play, we don't always get the part in life we think we want. Flute begged his director to not make him play a woman, while Bottom desired to play all the parts at once. Jo March wanted to be a boy. Lucy Pevensie wanted to be her older, beautiful sister Susan. Mark Studdock craved inclusion in the inner circles of his work, and his wife Jane despised any ideas of roles in their marriage. Moses begged God to send someone else, and then that someone else, Aaron, turned around years later and asked Moses why he had to be the one in charge. Peter asked Jesus what he planned to do with John. James and John wanted to have the right-hand position in God's kingdom. I want to be Gandalf.
My Shakespeare professor chanted the first lines of Beowulf in Old English to help us better understand the rhythm of Anglo-Saxon poetry. While I’d read the poem multiple times, I didn’t exactly have the first line memorized, but it didn’t matter. There was magic in these words I couldn’t understand and wouldn’t have recognized if you’d placed them before me. But the archaic words hailed something otherworldly, and my soul longed for it, though I couldn’t tell you what it was.
(In the final entry of this three part series, I'll apply the qualities and experiences of Whitman's noiseless, patient spider to my own search for joy.) I never thought I’d identify with a spider, but I do believe, along with many other interpreters, that Whitman captured the sentiments and tendencies of many artists and thinkers (of which I’d at least like to become when I grow up) through his little eight-legged friend. Although I’m not so sure Whitman would say the spider derived its purpose from the Lord—in fact, his poem can sound quite existential—Whitman’s spider has served, for me, as another great image of pursuing God.